Now you can choose the typeface depending on the purpose. These are some factors that make fonts more readable. Whereas in the Humanist typeface, you can clearly differentiate between the characters. A lowercase ‘g’ and 9 in Grotesque look pretty similar, they’re all very square, adding more confusion and making it less readable. In the Grotesque typeface, the characters are ambiguous from each other. The inter-character spacing in the Humanist typeface is more than in Grotesque, making it slightly easier to read.Humanist typeface has more open shapes.Humanist Sans-Serif is considered to be more readable than Grotesque. But more importantly, it’s about readability. Having a knowledge of the font families and their subfamilies helps with styling. Even though it’s one of the modern typefaces in the family, it bucks the trend and pretty much has no modulation and is equidistant at all points. And this typeface is a bit like Slab-Serif type. The O’s look exactly like as if you draw with a protractor. In a Geometric typeface, the O’s are always perfectly round. And when you look at the Humanist typefaces, you start to see the variation of the modulation. When you look at the Grotesque, it’s almost equidistant at all points. You can see the difference in the thickest and the thinnest parts of the font get more and more exaggerated. Now, similar to the serifs, you can move from the older Grotesque family to the Neo-Grotesque to the Humanist. How do you differentiate between the four? This includes News Gothic, Franklin Gothic, and more. They’re also subdivided into four families. Sans-Serif is slightly more modern than the serifs. It does not have serifs (the tiny little feet) or any decorative elements along the central beams and the top bars. Sans-Serif Type Family Example of a Sans-Serif font Yet, it doesn’t follow the rule of “more into the future you go, the greater the difference between the thickest and thinnest part of the font.” Slab-Serif was created for newspaper printing for clearer reading when the quality of the paper used to be poor. It’s one of the modern members of the Serif family. If you have a look at a Slab-Serif font, you’ll see there’s pretty much zero difference between the thickest and the thinnest parts of the font.Īnd it was designed intentionally like this. Comparing the Old Style to the modern types, the thickness and thinness difference will be lesser compared to Modern.Īnd a lot of this modulation comes from when people used to write with flat-nibbed pens. You’ll see an increased difference in what we call the modulation of the typefaces. If you have a look at the thinnest versus the thickest part of the letters, you’ll see that as you progress from the older to the more modern types. Look at the first three families: Old style, Transitional, and Modern. Now, how do you differentiate between these four major classes in the Serif Family? Examples of slab-Serif typefaces include American Typewriter, Archer, etc. This includes Didot, which is the typeface used for the title of Vogue magazine. ModernĮven more modern-looking and classy-looking. This typeface family includes Times New Roman, Baskerville, Georgia, etc. Their typeface is modeled on what text used to look like in the 1400s. It includes fonts such as Adobe Jenson, Centaur, Goudy Old style, and many more. Serif is further divided into four typeface families. This is because of their traditional and conservative look and feel. People tend to use Serif typefaces for something quite serious. And that stone carving created these serifs on the letters. But the stonemasons would have to carve it out from that painting. Back in the days when people needed to carve out Latin letters in stone, the designer would usually paint the letters they wanted with a paintbrush. Origins: The reason they have these tiny feet is actually because of stone carving. The areas in red are called the serif.Ī lot of Serif typefaces that you’ll see will look a lot more traditional or conservative. The typeface Serif is differentiated from Sans Serif by the tiny little feet-like thingy called Serifs. Let’s start! Serif Type Family Example of a Serif font. And how, as a designer, you can choose the right fonts and combine them. This post is going to give you a quick introduction to the biggest families in Typography: Serif and Sans Serif. For digital design, it’s important to know and understand how to use and how to combine different fonts.
0 Comments
Leave a Reply. |